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Antoine Bouchard - Joahann Pachelbel: Collection Liturgical Organ Work (1999-2001)
Категория: collection Исполнитель: Antoine Bouchard Название: Joahann Pachelbel: Collection Liturgical Organ Work Страна: Germany Лейбл: Dorian Recordings Жанр музыки: Classic music Дата релиза: 1999-2001 Количество композиций: 253 Формат | Качество: MP3 | 320 kpbs Продолжительность: 12:30:04 Размер: 1730 mb (+3%)
В исполнении талантливого Антуана Бушара мы услышим бессмертные произведения органной музыки Иоганна Пахельбеля, композитора раннего европейского барокко. Музыка, которая лучом света с небес освещала путь человечеству из мрачного средневековья.
1999 - Vol.1 (DOR-93173) 01. Ciaccona in f Minor (POP 16) [00:08:20] 02. Aria prima (POP 1) [00:09:58] 03. Chorale Prelude ''Herr Christ, der ein'ge Gottessohn'' (POP 54) [00:04:11] 04. Chorale Prelude ''Nun komm der Heiden Heiland'' (POP 72) [00:03:05] 05. Toccata in F Major (POP 282) [00:03:01] 06. Choral Prelude ''Der tag, der ist so freudenreich'' (POP 38) [00:03:32] 07. Choral Prelude ''Gelobet seist du, Jesu Christ'' (POP 50) [00:01:42] 08. Choral Prelude ''Vom Himmel hoch, da komm' ich her'' (POP 79) [00:01:45] 09. Choral Prelude ''Vom Himmel hoch, da komm' ich her'' (POP 80) [00:03:26] 10. Choral Prelude ''Lob sei Gott in des Himmels Thron'' (POP 67) [00:01:56] 11. Chorale Variations ''Christus, der ist mein Leben'' (POP 101) [00:07:56] 12. Fuge 1 (POP 151) [00:02:01] 13. Fuge 2 (POP 152) [00:01:37] 14. Fuge 3 (POP 153) [00:01:32] 15. Fuge 4 (POP 154) [00:01:46] 16. Fuge 5 (POP 155) [00:01:32] 17. Fuge 6 (POP 156) [00:01:35] 18. Fuge 7 (POP 157) [00:01:44] 19. Fuge 8 (POP 158) [00:02:35] 20. Fuge 9 (POP 159) [00:02:15] 21. Fuge 10 (POP 160) [00:01:27] 22. Fuge 11 (POP 161) [00:01:36] 23. Fuge 12 (POP 162) [00:04:52]
1999 - Vol.2 (DOR-93174) 01. Ciaccona in C Major (POP 11) [00:10:56] 02. Aria secunda (POP2) [Hexachordum Apollinis] [00:12:18] 03. Toccata in C Major (POP274) [00:03:03] 04. Fugue in C Major (POP127) [00:02:37] 05. Choral Prelude ''Wie schon leuchtet der Morgenstern'' (POP 88) [00:03:09] 06. Choral Prelude ''Christ unser Herr zum Jordan kam'' (POP 34) [00:02:30] 07. Choral Prelude ''Erhalt uns, Herr, bei deinem Wort'' (POP 45) [00:02:45] 08. Choral Prelude ''Durch Adams fall ist ganz verderbt'' (POP 40) [00:01:29] 09. Choral Prelude ''Durch Adams fall ist ganz verderbt'' (POP 41) [00:02:52] 10. Choral Prelude ''Durch Adams fall ist ganz verderbt'' (POP 42) [00:04:35] 11. Choral Variations ''Alle Menschen messen sterben'' (POP 102) [00:08:53] Magnificat secundi toni 12. Fugue 1 (POP 174) [00:01:44] 13. Fugue 2 (POP 175) [00:01:27] 14. Fugue 3 (POP 176) [00:01:47] 15. Fugue 4 (POP 177) [00:01:50] 16. Fugue 5 (POP 178) [00:01:56] 17. Fugue 6 (POP 179) [00:02:10] 18. Fugue 7 (POP 180) [00:01:42] 19. Fugue 8 (POP 181) [00:01:50] 20. Fugue 9 (POP 182) [00:01:59] 21. Fugue 10 (POP 183) [00:01:11]
1999 - Vol.4 (DOR-93181) 01. Ciaccona in f Minor (POP 15) [00:08:37] 02. Aria prima (POP 4) [Hexachordum Apollinis] [00:10:37] 03. Toccata in C Major (POP 278) [00:02:08] 04. Fugue in C Major (POP 131) [00:02:31] 05. Toccata in c Minor (POP 279) [00:02:49] 06. Ricercare in c Minor (POP 262) [00:05:22] 07. Fugue in C Major (POP 128) [00:02:31] 08. Chorale Prelude ''Der Herr ist mein getreuer Hirt'' (POP 36) [00:01:26] 09. Chorale Prelude ''Der Herr ist mein getreuer Hirt'' (POP 37) [00:01:34] 10. Chorale Prelude 'Jesus Christus unser Heiland, der von uns'' (POP 63) [00:03:21] 11. Chorale Prelude ''Christ lag in Todesbanden'' (POP 33) [00:04:41] 12. Chorale Prelude ''Jesus Christus unser Heiland, der den Tod'' (POP 61) [00:02:19] 13. Chorale Prelude ''Jesus Christus unser Heiland, der den Tod'' (POP 62) [00:01:40] 14. Chorale Prelude ''Komm Gott Schцpfer, heiliger Geist'' (POP 64) [00:02:30] 15. Chorale Prelude ''Komm heiliger Geist, Herre Gott'' (POP 65) [00:01:22] 16. Chorale Variations ''Was Gott tut, das ist Wohlgetan'' (POP 104) [00:08:04] 17. Fugue 1 (POP 195) [00:01:40] 18. Fugue 2 (POP 196) [00:01:17] 19. Fugue 3 (POP 197) [00:01:14] 20. Fugue 4 (POP 198) [00:01:42] 21. Fugue 5 (POP 199) [00:01:24] 22. Fugue 6 (POP 200) [00:01:14] 23. Fugue 7 (POP 201) [00:01:06] 24. Fugue 8 (POP 202) [00:01:06]
1999 - Vol.5 (DOR-93188) 01. Arietta in F Major (POP 7) [00:12:29] 02. Prelude in d Minor (POP 256) [00:05:49] 03. Fugue in d Minor (POP 141) [00:02:30] 04. Toccata in g Minor (POP 284) [00:02:38] 05. Fugue in G Major (POP 142) [00:01:37] 06. Toccata in C Major (POP 273) [00:02:25] 07. Fugue in C Major (POP 132) [00:03:16] 08. Choral Prelude ''Allein Gott in der Hoeh' sei Ehr'' (POP 25) [00:02:31] 09. Choral Prelude ''Allein Gott in der Hoeh' sei Ehr'' (POP 26) [00:03:56] 10. Choral Prelude ''Wir glauben all' an einen Gott'' (POP 89) [00:04:47] 11. Choral Prelude ''Gott der Fater wohnt' uns bei'' (POP 51) [00:02:57] 12. Choral Variations ''Ah, was soll ich Suender machen'' (POP 105) [00:08:00] Magnificat quinti toni 13. Fugue 1 (POP 203) [00:01:49] 14. Fugue 2 (POP 204) [00:01:17] 15. Fugue 3 (POP 205) [00:01:36] 16. Fugue 4 (POP 206) [00:01:30] 17. Fugue 5 (POP 207) [00:01:55] 18. Fugue 6 (POP 208) [00:01:34] 19. Fugue 7 (POP 209) [00:01:12] 20. Fugue 8 (POP 210) [00:01:40] 21. Fugue 9 (POP 211) [00:01:22] 22. Fugue 10 (POP 212) [00:01:30] 23. Fugue 11 (POP 213) [00:01:13] 24. Fugue 12 (POP 214) [00:01:54]
1999 - Vol.6 (DOR-93189) 01. Aria sexta ''Sebaldina'' (POP 6) [00:12:29] 02. Toccata in F major (POP 276) [00:03:02] 03. Fugue in F major (POP 135) [00:02:05] 04. Toccata in G minor (POP 283) [00:02:16] 05. Fugue in G minor (POP 138) [00:02:23] 06. Choral Prelude ''An Wasserflussen Babylon'' (POP 29) [00:05:11] 07. Choral Prelude ''An Wasserflussen Babylon'' (POP 30) [00:06:44] 08. Choral Prelude ''Dies sind die heil'gen Gebot'' (POP 39) [00:01:43] 09. Choral Prelude ''Mag ich Ungluck nicht widerstahn'' (POP 68) [00:04:05] 10. Choral Prelude ''Vater unser im Himmelreich'' (POP 77) [00:03:02] 11. Choral Prelude ''Vater unser im Himmelreich'' (POP 78) [00:04:09] 12. Choral Prelude ''Werde, munter, mein Gemute'' (POP 106) [00:04:52] Magnificat sexti toni 13. Fugue 1 (POP 215) [00:03:45] 14. Fugue 2 (POP 216) [00:01:41] 15. Fugue 3 (POP 217) [00:01:47] 16. Fugue 4 (POP 218) [00:01:23] 17. Fugue 5 (POP 219) [00:02:02] 18. Fugue 6 (POP 220) [00:01:50] 19. Fugue 7 (POP 221) [00:01:47] 20. Fugue 8 (POP 222) [00:01:46] 21. Fugue 9 (POP 223) [00:01:49] 22. Fugue 10 (POP 224) [00:01:30]
2000 - Vol.7 (DOR-93196) 01. Ciaccona in D Major (POP 12) [00:10:07] 02. Aria quinta (POP 5) [00:10:15] 03. Prelude in A Major (POP 254) [00:01:09] 04. Ricercare in f# Minor (POP 260) [00:03:58] 05. Fugue in A Major (POP 120) [00:02:09] 06. Chorale Prelude ''Ach Gott vom Himmel, sieh darein'' (POP 20) [00:02:06] 07. Chorale Prelude ''Ach Gott vom Himmel, sieh darein'' (POP 21) [00:05:52] 08. Chorale Prelude ''Es spricht der Unweisen Mund wohl'' (POP 46) [00:01:44] 09. Chorale Prelude ''Es spricht der Unweisen Mund wohl'' (POP 47) [00:04:50] 10. Chorale Variations ''Freu dich sehr, o mine Seele'' (POP 107) [00:06:49] Magnificat septimi toni 11. Fugue 1 (POP 225) [00:01:24] 12. Fugue 2 (POP 226) [00:02:02] 13. Fugue 3 (POP 227) [00:01:35] 14. Fugue 4 (POP 228) [00:01:53] 15. Fugue 5 (POP 229) [00:01:24] 16. Fugue 6 (POP 230) [00:01:50] 17. Fugue 7 (POP 231) [00:01:57] 18. Fugue 8 (POP 232) [00:01:52]
2000 - Vol.8 (DOR-93197) 01. Aria in D Major (POP 8) [00:09:03] 02. Prelude in g Minor (POP 253) [00:01:09] 03. Fugue in G Major (POP 145) [00:02:22] 04. Toccata in d Minor (POP 271) [00:01:51] 05. Fugue in D Major (POP 144) [00:02:15] 06. Toccata in C Major (POP 270) [00:01:42] 07. Fugue in C Major (POP 124) [00:01:05] 08. Ricercare in C Major (POP 261) [00:03:51] 09. Chorale Prelude ''Wo Gott der Herr nicht bei uns halt'' (POP 90) [00:01:52] 10. Chorale Prelude ''Wo Gott der Herr nicht bei uns halt'' (POP 91) [00:02:29] 11. Chorale Prelude ''Wo Gott der Herr nicht bei uns halt'' (POP 92) [00:04:52] 12. Chorale Prelude ''Ein' feste Burg ist unser Gott'' (POP 43) [00:04:37] 13. Chorale Prelude ''Es woll' uns Gott genadig sein'' (POP 48) [00:01:17] 14. Chorale Prelude ''Es woll' uns Gott genadig sein'' (POP 49) [00:02:45] Magnificat octavi toni 15. Fugue 1 (POP 233) [00:01:47] 16. Fugue 2 (POP 234) [00:01:06] 17. Fugue 3 (POP 235) [00:01:16] 18. Fugue 4 (POP 236) [00:01:19] 19. Fugue 5 (POP 237) [00:01:02] 20. Fugue 6 (POP 238) [00:01:38] 21. Fugue 7 (POP 239) [00:01:44] 22. Fugue 8 (POP 240) [00:05:00] 23. Fugue 9 (POP 241) [00:01:59] 24. Fugue 10 (POP 242) [00:01:23] 25. Fugue 11 (POP 243) [00:01:34] 26. Fugue 12 (POP 244) [00:01:28] 27. Fugue 13 (POP 245) [00:01:34]
2000 - Vol.9 (DOR-93206) 01. Aria in A Major (POP 9) [00:05:34] 02. Prelude in a Minor (POP 255) [00:00:35] 03. Fugue in a Minor (POP 139) [00:02:28] 04. Toccata in g Minor (POP 277) [00:02:47] 05. Fugue in C Major (POP 129) [00:00:47] 06. Choral Prelude ''Auf meinen lieben Gott'' (POP 31) [00:03:21] 07. Choral Prelude ''Warum betrubst du dich, mein Herz'' (POP 81) [00:02:13] 08. Choral Prelude ''Warum betrubst du dich, mein Herz'' (POP 82) [00:04:11] 09. Choral Prelude ''Was mein Gott will, das gescheh' allzeit'' (POP 83) [00:02:11] 10. Choral Prelude ''Was mein Gott will, das gescheh' allzeit'' (POP 84) [00:03:10] 11. Choral Prelude ''Wenn wir in hochsten Nothen sein'' (POP 86) [00:01:32] 12. Choral Prelude ''Wenn wir in hochsten Nothen sein'' (POP 87) [00:03:02] 13. Choral Prelude ''Ach wie elend ist unsre Zeit'' (POP 24) [00:04:17] 14. Choral Prelude ''Gott Vater, der du deine Sonn'' (POP 53) [00:02:01] Magnificat primi toni 15. Fugue 13 (POP 163) [00:01:43] 16. Fugue 14 (POP 164) [00:02:43] 17. Fugue 15 (POP 165) [00:03:12] 18. Fugue 16 (POP 166) [00:01:35] 19. Fugue 17 (POP 167) [00:01:41] 20. Fugue 18 (POP 168) [00:02:36] 21. Fugue 19 (POP 169) [00:01:40] 22. Fugue 20 (POP 170) [00:02:32] 23. Fugue 21 (POP 171) [00:01:29] 24. Fugue 22 (POP 172) [00:02:44] 25. Fugue 23 (POP 173) [00:01:24]
2000 - Vol.10 (DOR-93216) 01. Aria in a Minor (POP 10) [00:07:45] 02. Prelude in Eb Major (POP 251) [00:01:35] 03. Toccata and Fugue in B flat Major (POP 286) [00:03:02] 04. Fantasia in g Minor (POP 114) [00:03:34] 05. Fugue in C Major (POP 137) [00:01:47] 06. Fugue in C Major (POP 125) [00:00:58] 07. Fugue in C Major (POP 126) [00:01:02] 08. Fantasia in a Minor (POP 115) [00:01:50] 09. Fugue in a Minor (POP 140) [00:02:20] 10. Fantasia in d Minor (POP 112) [00:03:11] 11. Fugue in b Minor (POP 121) [00:03:23] 12. Toccata in e Minor (POP 281) [00:02:04] 13. Fugue in e Minor (POP 123) [00:03:26] 14. Toccata in C Major (POP 285) [00:02:30] 15. Fugue in C Major (POP 143) [00:02:42] 16. Toccata in D Major (POP 272) [00:01:34] 17. Fugue in D Major (POP 134) [00:02:27] 18. Chorale Prelude ''Herr Gott, dich loben alle wir'' (POP 55) [00:02:07] 19. Chorale Prelude ''Ich ruf' zu dir, Herr Jesu Christ'' (POP 58) [00:03:10] 20. Chorale Prelude ''Ich ruf' zu dir, Herr Jesu Christ'' (POP 59) [00:04:32] 21. Chorale Prelude ''In dich hab' ich gehoffet, Herr'' (POP 60) [00:01:41] 22. Chorale Prelude ''Meine Seele erhebt den Herren'' (POP 69) [00:01:22] 23. Chorale Prelude ''Meine Seele erhebt den Herren'' (POP 70) [00:01:12] 24. Chorale Prelude ''Nun freut euch, lieben Christen g'mein'' POP 71 [00:02:41] 25. Chorale Prelude ''Nun lob, mein' Seel', den Herren'' (POP 74) [00:02:26]
2001 - Vol.11 (DOR-93221) 01. Ciaccona in D Major (POP 13) [00:12:18] 02. Prelude and Fugue in e Minor (POP 257) [00:03:03] 03. Toccata in g Minor (POP 280) [00:02:30] 04. Fugue in C Major (POP 130) [00:02:01] 05. Fantasia in C Major (POP 110) [00:02:19] 06. Fugue in C Major (POP 122) [00:03:01] 07. Fantasia in Eb Major (POP 113) [00:03:28] 08. Fugue in c Minor (POP 133) [00:01:55] 09. Prelude in d Minor (POP 250) [00:01:06] 10. Toccata in d Minor (POP 275) [00:02:25] 11. Fantasia in d Minor (POP 111) [00:02:15] 12. Prelude in G Major (POP 252) [00:00:54] 13. Fugue in G Major (POP 136) [00:01:36] 14. Choral Prelude ''Gott hat das Evangelium'' (POP 52) [00:02:56] 15. Choral Prelude ''Ich hab' mein 'Sach' Gott heimgestelt'' (POP 57) [00:02:11] 16. Choral Prelude ''Wenn mein Stundlein vorhanden ist'' (POP 57) [00:04:41] 17. Choral Prelude ''Herr Jesu Christ, ich weiss gar wohl' (POP 56) [00:05:26] 18. Choral Prelude ''Wo Gott zum Haus nicht giebt sein Gunst' (POP 93) [00:01:21] 19. Choral Prelude ''Wo Gott zum Haus nicht giebt sein Gunst' (POP 94) [00:02:36] 20. Choral Prelude ''Nun last uns Gott dem herren'' (POP 73) [00:02:16] 21. Choral Prelude ''Christe, der du bist Tag und Licht'' (POP 32) [00:01:32] 22. Choral Prelude ''Kommt her zu mir, spricht Gottes Sohn'' (POP 66) [00:01:59]
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For those who are trying to take a more natural approach to labor then it’s a very good idea to find some good Lamaze breathing classes. Lamaze breathing consists of breathing techniques that help manage the pain of labor. It isn’t a pain killer. Its purpose is to take your concentration off the pain and on the breathing. It also helps you stay relaxed and keeps you from panicking. Lamaze breathing is a great exercise during pregnancy as well because it delivers more oxygen to the baby.
The cleansing breath is known as the more basic breath that you would probably learn in class. The technique is easy and calming. You would breathe in slowly and deeply though your nose and exhale just as slow through your mouth. The cleansing breathe or signal breathe is usually used at the beginning and end of contractions. This breathes also signals that a contraction is at work.
Another technique is called the blowing breath. This is more of a shallow breath that’s done when you’re relaxed. It’s a very soft breath. To get a feel at how shallow it needs to be you can grab a paper or candle and hold it some inches away and when you breathe out the paper should flutter or if you’re using a candle the flame would gently blow out. To try this as an exercise do a cleansing breathe for 90 seconds and follow with the blowing breathe for another 90 seconds and then go back to the cleansing breathe for another 90 seconds.
The patterned breathe is the one everyone knows as the “hee, hee, hoo”. The technique behind this one involves 2-4 rapid exhales of hee, hee, hee to one blow of hoo. They are soft inhales in between the exhales and the blow. That is, inhale rapidly in between the hee and the hoo. When you’e having a contraction you want to start with the cleansing breathe then the patterned breathing and end again at the cleansing once the contraction starts slowing down.
There is no right or wrong breath. Do what makes you feel relaxed and comfortable. The different stages of labor might be another determining factor. During your pregnancy practice all the breathing techniques along with some deep breathing techniques to get some extra oxygen flowing through your body and down to your body. If you practice breathing throughout your pregnancy then breathing during labor should become a second nature to you and it will be more manageable. Remember there’s a difference between breathing deeply and hyperventilating. Make sure you keep a healthy balance in your breathing and to make it fun have a friend join you.
It seems that some societies have a natural tendency toward fitness incorporated into their daily urban environments. Let’s take a look at some of the way some Asian cultures with modern societies incorporate exercise into their daily urban routines, and also look at how this may differ from societies where obesity is apparently more of an issue. What may come as a surprise is how a couple of classic technologies can help to keep the citizens of a very modern city attractively fit and slim.
The bicycle is likely the first and foremost ubiquitous icon of urban fitness that one is likely to spot in an Asian city. It does a wonderful job of keeping the air clean while simultaneously providing relatively quick and convenient transportation through the city streets. It is one invention that has truly held its own through other advances in modern transportation technology. It requires no gas, no electricity, little maintenance, and is generally very affordable to the masses. Combine it with electric mass transit, and a city is humming with green, sustainable energy.
What the bicycle does for the one that powers it is truly remarkable. The body is nourished with healthy aerobic exercise and the rider feels invigorated with vibrant energy. It can be pure pleasure to cycle through the sunny city streets and can potentially even make the ride to work become a journey of discovery. One may chance upon a new shop or café that they had never seen before, and would likely not have seen if speeding past in a car or train. One may also chance upon an attractive new person to invite to the aforementioned café. While feeling so invigorated, it is easy to start the day and leap into the next task at hand. When arriving at their destination the rider may feel truly ready to continue their momentum and spring into action in a whole new way.
Next up is a spectacularly simple invention that once seemed to be practically irreplaceable. The staircase is still present in just about any building with 2 or more stories, but it seems that it is being hidden more and more. What may seem odd is that in some Asian cities, the train systems sometime offer no other easy way to access the train platform. Elevators are not always available and if escalators are present, they often only run in one direction. Even when there is an elevator available, they are usually small and generally only used by people with strollers or large luggage and so on. What all of this means is that people are actually using their bodies to walk up and down staircases which are often rather long. It may be surprising, but they are not generally winded and collapsing at the top, either. Let’s just say that this sort of daily exercise is gold for those who are seeking a firmer and smaller behind.
There are, obviously, other factors involved in these cities which contribute to the people staying fit. Combined with a greatly decreased intake of red meat so prevalently ingested in parts of the west, this daily integrated exercise goes a surprisingly long way to make a fit society.
Are you looking for a fun and intriguingly unique sport to help you stay and/or get motivated for your personal fitness? Possibly interested in finding a nice outdoor activity to enjoy the fresh air and sunshine? Today is your lucky day because your flying disc of healthy fitness fun has just landed. Here is an article to help you get on your way to some really fun fitness in the sun with a Frisbee.
Let’s look at some of the many ways to enjoy the magical Frisbee and make it a part of your daily fitness routine.
Ultimate Frisbee
Ultimate Frisbee is possibly the ultimate way to truly enjoy the fine art of Frisbee to its fullest. It is actually now simply called Ultimate because the Wham-O toy company apparently holds the copyright to the name of Frisbee. While there are too many styles of Ultimate to be able to fit in a short article, the synopsis is that you basically score a point by passing a Frisbee to a player on your team who is standing in an area which has been designated as the goal area. You can only throw the Frisbee when it is in your hand as the rules do not permit to walk or run with the Frisbee in hand.
Frisbee Golf
Golf anyone? Yes you heard right. There is a fun and unique form of Frisbee known as Frisbee Golf that you may or may not have heard of. It is also known as Disc Golf or evidently even occasionally by “Frolf”. Whatever name it goes by it is a pastime you might enjoy exploring more by either finding a local Frisbee Golf course or even fashioning a portable one and playing with some friends or family. You may be in a lucky situation where there is actually a Frisbee Golf league near you that you can join so you can get a good introduction from some seasoned Frolf pros. There are actually around 3000 or so courses in the US and supposedly one out of five Golf rounds played in the US in 2009 was actually a round of Frisbee Golf.
The object of Frisbee Golf is to make it through a course in the fewest number of throws possible. This is the similarity to the sport of Golf and the naming as a resulting factor. Instead of the conventional holes of Golf, the targets in Frisbee Golf are usually posts with chainlike nets in which you can throw a Frisbee. As Frisbee Golf is played at a leisurely pace in parks and so on, it is truly a pastime that is likely going to be fun for the whole family.
Frisbee Dog
Looking for some outdoor fun with your golden retriever or other fetching-friendly four legged companion? Frisbees can be a dog’s favorite toy and it is such a popular phenomenon that there are even competitions for catching a Frisbee in flight. This sport is aptly named Frisbee Dog or Disc Dog and while it may be tempting to go competitive with your adorable flying friend, it may be even better for both of you to just keep it fun and stress free!
К 75-летию Победы «1С-Паблишинг» выпускает аудиокнигу современного писателя фантаста Николая Берга, действие которой происходит в период Великой Отечественной войны. Роман «Лёха» – история простого современного менеджера, попавшего в 1941 год. В самый разгар нападения на нашу страну фашистских захватчиков.
В маленьком пригороде Плезант-Корт все друг друга знают. Дети не боятся гулять до позднего вечера, двери домов не закрывают на замок, а гостей встречает запотевший кувшин холодного лимонада. Но в один день все меняется. Изабелль приезжает в Плезант-Корт по работе. Во всяком случае, именно так она объясняет причину своего визита. Она совсем не вписывается в размеренную жизнь городка и очень скоро начинает привлекать внимание местных жителей, особенно женщин.
Что будет, если обычный человек, с самой заурядной профессией, попадет в мир, полный опасностей? Главный герой случайно оказывается именно в таком. Он разрушен страшной войной и таит в себе много опасностей. Мутации, разруха, бандиты и смертельные следы оставленные на теле природы. Теперь Сумраку необходимо начать жизнь заново. Освоить другую профессию, которая поможет выжить и обрести настоящих друзей. Ему предстоит разобраться и выяснить, что не так с этим миром?
Ричард «Додж» Фортраст, миллионер и основатель известной компании по разработке видеоигр, умирает в результате несчастного случая. По условиям завещания, его мозг сканируют, а структурную информацию загружают в хранилище данных, надеясь на дальнейшее развитие технологий. Проходят годы и оцифрованное сознание Доджа подключают к Битмиру — вечной загробной жизни, в которой люди существуют как цифровые души в телах-симулякрах.
Они мчали по пустынному шоссе. Солнце клонилось к закату. Говорить было не о чем. Руслан дремал. Анна внимательно следила за дорогой – она была за рулем. Их отношения давно охладели. Они были уже почти чужими друг другу. Может, эта поездка на свадьбу к друзьям реанимирует их чувства?
